Monday, March 31, 2008

Fine Art Poster

College dorms and the apartments of recent college graduates are notorious for looking absolutely terrible. The residents of most dorms appear to have all of the interior decorating abilities of hand grenades, and their rooms and apartments usually appear to be decorated with this speedy but unaesthetic technique. So how do you make your first apartment from looking like your high school bedroom, full of dirty clothes and torn Metallica posters? Though this may surprise some of the guys out there, when you invite girls over they really don’t want to trip over your dirty clothes and see posters of semi-nude women on the wall. Contrary to popular belief (especially popular among college freshman men), pictures of naked women do not attract real naked women. I know, it’s a shocker.

There are a number of ways to class up your apartment. Picking your clothes off the floor and learning to use a hamper is a good start, but you still have to do something about the wall decorations. Posters of the Backstreet Boys or Jenny McCarthy just won’t do. Fine art posters offer a nice alternative to the standard poster or photograph-adorned walls usually found in first apartments, as they offer an inexpensive way to add a touch of class to a dorm room or apartment.

Fine art posters can work in any room, from dingy, cinder-block dorm room to posh apartment. Since they’re easily available from poster and framing shops for $10 or so, it’s simple to find a fine art poster to fit your style and location. Monet, Van Gough, and Rembrandt posters are always popular picks, and it pays to put some thought into what fine art posters will look best in certain locations. “Sunflowers” may be a great way to brighten up a dark bathroom, while it may clash with a living room that’s already painted bright green, as it’s not worth it to repaint your living room to accommodate a $10 poster. Vintage absinthe or alcohol are popular art posters as well, and they’re great for adding a stylistic touch to your home bar (even if your home bar is a handful of bottles kept on an end table).

Though fine art posters will look good unframed, it’s usually a nice touch if you can find an inexpensive frame for them. Since they’re big this can sometimes be tough, though one-piece glass or Plexiglas frames are nice ways to protect the posters while not overshadowing them or breaking the bank.

Thursday, March 27, 2008

American Indian Art Auctions: Beadwork

American Indian art encompasses many types of arts and crafts, from the more traditionally and / or stereotypically Native American art such as beadwork and pottery, to modern photography, fine paintings, sculptures and the like. There are many art auctions, both online and off, that feature this form of American Indian art.

In this article we’ll discuss one of the most traditional and historically relevant branches of American Indian art: beadwork. Beadwork of the Native American peoples had and has practical as well as decorative; utilitarian as well as rich symbolic meaning.

Beadwork and making of the beads themselves is a very old craft. Stone, bone and shell beads (such as turquoise and semi-precious stones) are still made the same ancient way. Little affected by modern technology, the making of beads is still carried out in nearly the exact same way as peoples did thousands of years ago.

Sea shell bead pieces are among the most popular and well known pieces of regional trade importance for thousands of years. Nearly everyone has seen American Indian art pieces, from beaded necklaces to purses, belts and such.

For the last several decades modern beadwork has been replicated in oriental factories and very cheaply imported. This makes it a competing factor against the top quality beadwork done by American Indian craftspeople. The native American crafts people have lost several millions of dollars (just over an eight year period during the 1980s) to these fake native beads and beadwork pieces.

Historically, beads were carved from turtle shell, animal horn and deer hooves. These were often used for making rattling or tinkling pieces utilized in dance. Hunters often wore necklaces put together with animal portions, such as bear claws or wolf claws. These indicated a hunter’s prowess. Bones and seeds were often steamed to soften them for stringing and /or bending into various shapes.

As an example of beadwork used for a most practical purpose, the Iroqois League (Haudenosee) used white and purple wampum chains made of fresh-water clam shells to record sacred ceremonies, treaties and songs. This practice was used both before and after the coming of European settlers.

Many types of agreements were recorded with such beadwork chains. They were highly valued and cared for by their owners. European settlers mistook this care and reverence for wampum beads as a sign that the beads held monetary significance. As such, they mistakenly assumed that the word ‘wampum’ referred to money, when in actuality these important beads were much more like very important original documents.

To string beads, Native Americans used animal sinew that is split very fine with which to attach beads to clothing, though infrequently strong plant fibers such as hide thongs or nettle were used for these purposes.

Today, the Navajos as well as some pueblo people still make the ancient bead type called the heishii. This is by far the most popular and high quantity type of beadwork that is still made today as it was in ancient times. These necklaces are also referred to as story necklaces as they can be used to tell stories, with each bead representing a character.

Beads and beadwork are a very important part of archaeological explorations of pre-European history. Beads have survived thousands of years and tell many fascinating stories about times we weren’t around to witness. This is particularly true with respect to beadwork mad of sea shells. Ancient shell beads have been found thousands of miles from seas, which indicates various trade routes and contacts among different groups of people.

Today American Indian artists even create digital beadwork designs to help them make actual beadwork pieces. In this way complex designs and pieces can be tested on the screen before the project is begun. This has certainly added to the creative process for many beadwork artists.

Beadworking weaves through native history both in ancient times as well as in today’s modern computer technology. The most important aspect of beadwork, though, is not what can be sold or gained, but personal pieces that are only given among family and friends. The true meanings behind these pieces are personal associations tied to visions, important perspectives and other things that an individual wishes to be reminded of.

Sunday, March 23, 2008

Neoclassicism Painting

Between the 18th and 20th centuries, a few quite distinctive trends were absorbed into the category of Neoclassicism, and it during these times that the movement as a whole came to absorb the classical inspirations that created a revival of ideals. These ideals, though standards from ages past, were defined by the artists synthesis of these elements into new works of art. It does not recreate styles of art from scratch, but instead shows the artists control over a particular body of classical works. By drawing from the classics of the past, Neoclassicism was paying tribute to eras of awareness that perhaps slipped away, but to regain some sense of these classical influences.

In Europe, neoclassicism began as a reaction against the Baroque and Rococo styles, and a desired return to the art of Romanesque and Renaissance classicism. Each individual grouping of Neoclassicism, whether affecting architecture or the visual arts, has attempted to capture the ideas of times gone by to utilize them in forms of art that were considered modern at the time. In neoclassicist painting in particular, the subject matter seems to hearken back to those classical ideas by reviving those Greek to Renaissance themes, and forcing them into peculiar constraints that would recreate the elements into new formats.

The Neoclassical style of artwork was heavily present during both the American and French Revolutions, and revival in the interest of classical thought in the style of ancient Greece and Rome, at times affecting a more Byzantine stance in some countries. A counterbalance came in the form of the Romanticism movement, and it never replaced Neoclassicism so much as aided in the influencing of many artists throughout the 19th century and beyond. When the architecture began to dominate the main aspects of neoclassicism, and has been found to be academically selective of the best Roman models guided with self-restraint.

At first, the style had been grafted with other popular European forms of architecture, and this style became quite pronounced as neo-classically inspired furnishings were popular for the time. The style soon had international renown, and it was at this point that the architecture became strongly influenced by Roman designs after the discoveries at Pompeii, during excavations that took place at that time. Though all these designs seem a bit absurd and overcomplicated nowadays, there was a flush of Greek inspired work in the forms of busts and vases after 1800, and this was called the Greek revival.

Continuing to be a force after the turn of the 19th century, even as Romanticism and Gothic styles took favor, but it seemed anti-modern to influential critical circles by the late 19th century. In the mid-19th century, several European cities had grandiose examples of the neoclassical style of architecture, and even early American architecture reflected this movement in various national monuments, and some of those monuments were the Lincoln Memorial and the National Gallery in Washington D. C. Soon, however, World War II would shatter those preconceptions for the world round.

Covertly, there were many modernists that chose to express a neoclassical influence with subtle tribute here and there, and even Picasso played around with reincorporating neoclassical motifs into his work at one time. Even the Art Deco style was using these ideas on a very sly level of utilization, playing with classic Grecian lines and even breaking out in American culture through architecture and the dime by 1950, and became a strong ideology in the time between both World Wars. This literary and very literal side of the movement rejected the romanticism of Dada, for example, for the restraint of religion and reactionary politics.

It can be a difficult bout to sort through all these items to find the ideal artwork that you would enjoy, and there many whose catalogs are extensive to say the least, making it quite an effort to glimpse through all of those works to find the pieces that you would enjoy the most. Finding the particular classifications that art periods fall under, such as neoclassicism, can keep your interest guided by where you can find most amount of work that you can acquire. Keep in mind, however, that many of these pieces are quite priceless to many collectors, and that buying a print of a particular famed work mat be more cost-effective for your budget.

Wednesday, March 19, 2008

Music and art

One of the many works of art created by fifth- and eighth-graders at Bueker Middle School that were displayed Sunday, Feb. 24, while the Marshall Philharmonic Orchestra performed "The Great Locomotive Chase" by Robert W. Smith. Students of BMS Art Teacher Judy Denton were inspired by Smith's work and their drawings conveyed visually the story Smith's music told, the story of James Andrews, a Union spy during the Civil War and 19 Union soldiers who commandeered the steam locomotive "The General" in an attempt to disrupt rail service between Atlanta and Chattanooga. Denton and BMS Techology Instructor Velma Allen displayed the students' art on a slide show during the orchestra's performance. (Eric Crump/Democrat-News) .

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Monday, March 17, 2008

OSU-M art show could leave you scratching your head

MANSFIELD -- Prepare to use your imagination if you visit "Whimsey, Not Whimsey," an art show that opened Monday at The Ohio State University-Mansfield.

Through March 21, sculptor Al Goad, of Ashland, and painter Harry Melroy, of Sycamore, will showcase their works in the Riedl Hall atrium.

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Sunday, March 16, 2008

Surrealism Painting

Surrealists were a group of painters and artists that drew a large amount of inspiration from the potent impact from dreams. In the beginning, before this artistic movement was fully embraced, many civilized people questioned the value of these works of art. Though considered some of the more recent ground-breaking artwork yet to date by drawing on the psychoanalytic work of Freud and Jung, the Surrealist movement has not lost any of its’ prior affect on many a budding artist today, and influence from this art can be found in many of the works produced by the fresh artists of today.

Surrealism started as an outgrowth from another movement in the art world between the first and second World Wars. The movement that was later called Dada, and was most popular before the occurrence of WWI; many works of “anti-art” were produced as a reaction to the growing restrictions of the social world around at the time. Where Dada’s artwork was produced to deliberately defy the boundaries of reasonable interpretation, Surrealism expressed a more positive goal of combining a sense of the fantastic with a realistic eye, and creating a bold vision that took the idea of the surreal to the next level.

It is when reviewing the more creative and remarkable artists of this era, that one can come to realize the appeal and effect that the dreamy state of being has had on the art as a whole, and a person can come to grasp a more personal aspect to these unique interpretations of some of the issues that affect us today. Art is constantly being redefined from within, and it is solely upon the artist’s shoulders to weigh out the experience onto a canvas. It has been said that art imitates life and vice versa, but with Surrealism, the tables are certainly turned around when seen for oneself.

Artists and free thinking individuals such as; Andre Breton whom wrote the Surrealist Manifesto in 1924, to famed artist Pablo Picasso to whom Surrealistic success was achieved during his period of Cubism. Some of those artists who are now renowned as predecessors to the Surrealist movement began as affiliates of the Dadaism that was strongest during 1919 and the early 1920s, and some of those artists even took Surrealism to greater heights than before. Such as Marcel Duchamp who took to defying the boundaries in stride with his previous experience in the Dada movement.

Though some pieces can seem happenstance from a distance, the powerful intent of the artist to convey a new meaning through mixing up and recombining various creative influences, and even at times making new threads of thought from old ideas or objects is the goal of the artist. To defy the boundary that one has to each own their reality in life, and to put on a new sense of perspective, shaping the rest of a lifetime to come. Some of the more famed paintings are hard to find inexpensively, but buying prints can be the easiest solution to that problem.

There is still a great deal of work created today that draws heavily from the impact that Surrealist thought has made on art in general, and especially on how art can be defined on a truly individual front. The most world-renowned artists have already passed on, but their examples stand as firm points from which to gain an understanding of what Surrealism is, whether defined through a critical mind or as a sampling of how broad the area of art can be. Surrealism is an artistic expression of that state of mind that lies unexplained at the gateway of the subconscious.

Saturday, March 15, 2008

St. James art show holds poster-design contest

Submissions are being sought for the 52nd Annual St. James Court Art Shows poster-design competition.

Entries must be original and include the name St. James Court Art Show and the year 2008 and 52nd Annual. Limited and open edition publications (250 pieces each) of the poster design will be produced by the show, which also will assume ownership of the design and its related work.

The winning image also will be sold on shirts and sweat shirts at the 2008 show, which will be held Oct. 3-5.

The winner also will be awarded $1,000.

The entry fee is $20, and the deadline is 4 p.m. June 1.

To download an entry form and get entry guidelines, visit www.stjamescourtartshow.com/pressroom.asp

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Thursday, March 13, 2008

Paintings: Realism

In literature as well as art realism is the depiction of subjects as they appear in practical, everyday life. Realism does not deal with interpretation or embellishment. The point of realism is to capture people or situations in a gritty and real way. Similar to realist photography, the realist painter does not place emphasis on stylization but is most interested in depicting situations just as they appear to the naked eye.

While realism depicts real characters in real situations, there tends to be emphasis placed on the sordid or ugly. In this way, realism is very much the opposite of idealism. In idealism the theory is that the reality and regular world around us is merely a reflection of a higher truth. With realism, however, it’s as though we’re saying “all I know for sure is what my eyes and other sense organs tell me”.

As a reaction to the idealism of Romanticism in France during the middle of the nineteenth century, realism became the popular cultural movement in many ways. Realism is often linked to demands for political and social reform, as well as ideas about democracy. Dominating the literature and visual arts of England, France and the United States between the years 1840 and 1880, realism was popular throughout many facets of life.

Realists tend to throw out such hubris as classical forms, theatrics and lofty esoteric subjects in favor of the most commonplace subjects and themes. A very famous example of a realist painting is Jean-Francois Millet’s ‘The Gleaners’ from the year 1857. This painting portrays three women working in the fields. The colors are very realistic, almost drab, by contrast to non-realist paintings.

Realism as an art movement appears as early as 2400 BC in India in the city of Lothal. Examples of this type of art can be found around the world and throughout art history. In a very broad sense, realism is art that shows any subject or object that has been observed and accurately depicted, though the entire art piece may not conform to realism conditions.

During the late sixteenth century the most prominent mode of art in European art was a form called mannerism, which showed artificial and elongated figures in very unreal, though graceful positions. Then an artist by the name of Michelangelo Merisi da Caravaggio emerged and changed much of the direction of art simply by depicting real humans doing real things. His work shows images painted directly fro meveryday life and shows an immediacy that had never been seen before.

Dutch art had any realism entries, with their fondness for homely details and humble situations and subjects. Rembrandt is a very well known example of Dutch realism in paintings. The Barbizon School took realism in a whole new direction when, by observing and painting nature, the beginnings of Impressionism took shape.

Realism still plays a role in paintings and art of all kinds today. From film to television and the fine arts, realism is still a major player in the world of creative and expressive processes and productions. Throughout human history there have been those that wish to see things as they are and those that see in reality a hint of the divine. Realism went a long way in providing the one extreme with which we’ve discovered several in betweens in more modern and contemporary art.

Wednesday, March 12, 2008

Academy of Art near deal on saving Flower Mart

Relenting to City Hall pressure, the Academy of Art University appears ready to pull out of a controversial plan to buy the San Francisco Flower Mart, potentially an 11th-hour reprieve in a deal critics felt would have destroyed the local landmark.

Board of Supervisors President Aaron Peskin's office met with representatives of the university late Monday and reached a "conceptual agreement," under which the Academy of Art will walk away from the transaction if the city modifies certain zoning constraints that had limited what the school could do at its properties elsewhere in the neighborhood.

"We've just saved hundreds of jobs, both locally as well as regionally, and preserved a thriving San Francisco institution," Peskin said.

The Mayor's Office of Economic and Workforce Development also received clear signals from the Academy of Art that it intends to reverse course, after it works out legal details with the current property owners, Managing Deputy Director Jennifer Matz said.

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Monday, March 10, 2008

Use art, music to promote social causes: President India

NEW DELHI: Indian art and music could be used as effective tools to convey socially relevant messages, said President Pratibha Patil. She was presenting the Sangeet Natak Akademi Fellowship and Akademi Awards for 2007 to 33 eminent persons at the Vigyan Bhawan here on Tuesday.

Ms. Patil said Indian art and music should look at the social role that they could play.

Powerful medium

"Dance and drama are powerful medium and can be used to effectively convey social messages, particularly to fight social evils like female foeticide, female infanticide, dowry and addiction to drugs and alcohol."

The President said art forms could also be used to educate the population on health, literacy and the values of truth, tolerance and harmony.

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Sunday, March 09, 2008

Women's art to be shown in Granville

GRANVILLE -- Kendal at Granville announces a mixed-media art show featuring the works of eight members of The Women's Palette.

The Women's Palette is composed of central Ohio artists who are all members of at least one juried professional art organization. The Kendal show will range from realism to contemporary.

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Saturday, March 08, 2008

Paintings: Synchromism

Synchromism paintings feature harmoniously balanced colors and a feeling of movement. It is believed that synchromist paintings evoke similar feelings and sensations as music. This is a basic tenet of the synchromism art movement. As such, these paintings make wonderfully pleasing additions to any modern art collection.

Founded in 1912 by Morgan Russell and Stanton MacDonald-Wright, synchromism was an art movement based no the idea that sound and color are phenomena that are similar in the way that the individual experiences and perceives them. Movement as well as organization of color into ‘color scales’ are the ways in which synchromism pieces correlate to musical art forms.

A basic tenet of synchromism is that color can be arranged or orchestrated in much the same way that notes of a symphony are arranged by composers. This harmonious arrangement of colors and shapes produces experiential results similar to that of listening to well balanced orchestral compositions.

Artists of the synchromism art movement believed that by painting in color scales could evoke sensations that were very musical in nature. Typically, synchromism pieces feature a strong rhythmic form or forms that then advance toward complexity in form and hue, moving in a particular direction.

In many cases, such explosion of color using color scales pours out in a radial pattern. It is most common for synchromism art works to have some sort of central vortex that bursts outward with color, into complex color harmonies.

The first painting to be dubbed a synchromism work, was Morgan Russell’s ‘Synchromy in Green’ which was exhibited in Paris at the Paris Salon des Independants in the year 1913. That same year, the first exhibition featuring primarily synchromist works by MacDonald-Wright and Russell was held in Munich, Germany. Following the synchromist exhibition in Munich, there were exhibits in both Paris and New York.

These first synchromist pieces were some of the first non-objective abstract paintings found in American art. These later became better known under the label of ‘avante-garde’. In this way, synchromism was the first American avant garde art movement that gained attention internationally.

Synchromism has been compared and contrasted to Orphism. Orphism refers to paintings that relate to the Greek god Orpheus, the symbol of song, the arts and the lyre. Though Orphism is rooted in cubism, this movement moved toward a lyrical abstraction that was more pure, in the sense that this form of painting was about synthesizing a sensation of bright colors.

Though there is little doubt that Orphism was an influence to later Synchromism, Synchromists would argue that it is an entirely unique art form. As Stanton MacDonald-Wright said, “synchromism has nothing to do with orphism and anybody who has read the first catalogue of synchromism … would realize that we poked fun at orphism.”

Several other American painters have been known to experiment with synchromism. Whether synchromism was a branch of orphism or its own unique art form, there is little doubt that the harmonious use of color and movement based composition inspired many artists and art forms. Among these artists were Andrew Dasburg, Thomas Hart Benton and Patrick Henry Bruce.

Though the majority of Thomas Hart Benton’s works centered on regionalism and murals, there was also a strong flair of synchromism. Benton’s interest and incorporation of synchromism was due mainly from having studied with synchromism artists such as Stanton MacDonald-Wright and Diego Rivera.

Friday, March 07, 2008

Art students earn Globe awards

Berkshire County school students have received honors in the 2008 Boston Globe Scholastic Art Awards.

Five students received Gold Key (GK) honors, the competition's most prestigious prize, followed by several Silver Key (SK) and Honorable Mention (HM) distinctions. In addition, three students received notable achievement awards (N) for their portfolio work.

The 25 county winners were among nearly 3,500 Massachusetts students in Grades 7 through 12 to enter this year's event, according to The Globe. Of those, 342 students received Gold Key honors and an additional 573 students received Silver Key awards.

Winners were presented with awards at a Feb. 10 ceremony at the John Hancock Hall in Boston. The winning pieces are on display in an exhibit at the Massachusetts State Transportation Building through Feb.

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Thursday, March 06, 2008

New series gives better picture of art

COLUMBIA — For those with an interest in art, MU's Bingham Gallery has launched a Wednesday lecture series. This Wednesday, video and animation artist JJ Higgins will talk about “Issues in the Non-Space." Her approach combines media and performance with critical theory.

Although the new series will continue through the spring, speakers are lined up through March 19.

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Wednesday, March 05, 2008

Paintings: Symbolism

Evoking a taste similar to the Romanticist tradition, but utilized mysticism and sensitivity through mythology and dream imagery, preceding the psychoanalytical work of Freud and Jung. With a strong philosophical touch, more so than a style of art, and Art Nouveau and Expressionist artists such as Edvard Munch. Beginning in France as a reaction to the movements of Naturalism and Realism, which seemed to capture the particular components of consensual reality, and presented spirituality and imagination reflecting some artists budding interest in religion and spirituality.

In literature, poet Charles Baudelaire was developing his work and the movement, and especially with such luminaries as Verlaine contributing to the collective effort of the literary movement during the 1860s and through to the 1870s. With the works of Edgar Allen Poe coming to popularity in the 1880s, the Symbolism movement in artwork represented an outgrowth into the darker and more gothic nature of Romanticism, and contrasted with Romanticism’s rebellious and impetuous sides. Symbolist writers wrote in very metaphoric and suggestive manner, to imbue the subjects with a sense of symbolic meaning, and made realistic images into representatives for more esoteric and primordial ideas.

In translating the language of dreams into artwork with symbolic leanings, discovering a visual style that draws upon that philosophical approach that captures a sense of art that has been influential on more than one movement artistically, and has evoked some of the more fantastic imagery to ever cross a canvas. The Symbolist Manifesto was published in 1886, leading to a description of the movement that included ideas such as being hostile towards plain and matter-of-fact meanings, and to express the ideal in a perceptible form was the sole purpose of this art form.

Symbolists that preferred poetic means of conveying their ideas, were known for their techniques of removing technical aspects to achieve a greater fluidity for their work, and became related with seeking use of symbolic images over raw description to evoke the state of the poet’s soul. Paul Verlaine was influential in an 1884 publication defining the essence of Symbolism, through many essays on the relevant poets of the day, and came to the conclusion of relating the works of this movement to the famed philosopher Arthur Schopenhauer, whose own work delved into art as a means of refuge from the strife of the world.

These similarities, which presented a contemplative and artistic refuge using themes such as mortality and otherworldliness, created disparaging arguments between critic and artist alike. Leading to many Symbolist poets of the day to make their own publications and periodicals, and the literary Symbolism then reached its’ peak in the year 1886, with one particular periodical lasting until 1965. Though the two aspects of the movement were distinct, they would occasionally overlap each other, and became a continuation for mystical tendencies in a Romantic tradition, even flirting with the self-consciously dark Decadence movement.

There were several dissimilar groups of painters and visual artists within the Symbolism movement, and the artistic movement seemed to have a greater impact worldwide than the literary movement, reaching multiple artists and sculptors from such distinct parts as Russia. Many of the symbols found herein are not necessarily universal, but more personally affected with the artist’s obscure and private references, with some dreamlike subject matter influencing later Surrealists. Symbolism has had a strong link to music for a while, and mostly due to the enthusiasm for the work of Richard Wagner, whose own music reflected his influence from the philosopher Schopenhauer.

Symbolism even grew to affect some of the literary fiction contributed by Oscar Wilde and Paul Adam, and has a pronounced ring when speaking about movements that have literarily and artistically that have crossed over into other inner groupings of artistic work. The waters of Symbolism have even filtered down the centuries into the state of motion pictures today, and early on held influence with Russian playwright Anton Chekhov, as well as Russian actor and director Vsevolov Meyerhold’s method of acting that influenced early motion pictures.

It is difficult to overlook Symbolism’s influence and repercussions throughout the timeline to the current period of the world, as it drifts through many aspects taken for granted on a daily basis, and many pieces of work for many artists from writer T. S. Eliot to painter Pablo Picasso and even the state of horror films as well. A decidedly different state of the world now has interpreted and reinterpreted all this throughout these hundreds of years, and created more and more material reflections of the state of things as they happen to be.

Tuesday, March 04, 2008

Romanticism Paintings

Though sometimes referred to as the “anti-classical” movement in art, Romanticism is a style that focuses on the artist’s individualistic and emotionally wrought point of view, and is found to oppose the art movement known as Neoclassicism. Even though there have been many artists to combine elements of both. Some of the more renowned names around this movement, which utilized strong emotion to convey meaning, were Francisco de Goya and William Blake respectively. This particular art form became a reaction to the outgrowth of reason by homing in on imagination and feeling.

It is not difficult to see the value in the paintings by these artists, and there have been many examples of how other artists have influenced one another over time. As the whole category of Romanticism refers more to the trends of artists, poets, and philosophers of the late 18th and early 19th centuries than as much to an artistic movement. Though one has definitely influenced the other and vice versa rather equally as time went along, there are very few areas in modern life that can be said to stay untouched by the Romantic period, and many agree that this was a vital point in the world’s development as a whole.

Where the people of the period at the time were involved in an overwhelming interest in things of a rational or enlightened nature, the Romantic ideal favored intuition instead, and has been the subject of many differing characterizations of the movement for intellectual and literary histories. There are many varying attitudes on how Romanticism has affected the modern world, and what place this movement has had in the greater picture of history. Some cite Romanticism as being the originating moment of modernity, while others seem to think that it is a beginning to a resistance to the enlightened age, and still others date the movement as a direct aftermath of the French Revolution that is completely continuous with the present.

Romanticism was previously mentioned as affecting music and literature as well as art, but this is less understated than it might seem at first, Romanticism is very prominent in the music and literature of this period. As the age moved along, more than a few critics have considered composers such as Mozart, Hadyn, and Beethoven as being the three Romantic composers. In literature all over the world, the Romanticism movement deeply affected every writer from Johann Wolfgang von Goethe through to even the 20th century’s Ayn Rand, and many more writers between those times when Romanticism was most prominent.

As it became apparent that Romanticism was going to stay a strong influence for many years to come, many critics have taken to confirming that the Romantic period has been elemental in the progress of art to the present day, and that there is almost no famed artist who has not been in part affected by these potent periods of artwork and creative purpose. This rebellion against social and political standards of the age was instrumental in the changing over from those same standards, and created a lush place from which to draw inspiration for the next centuries to come.

Romanticism has become a piece of history that cannot be overlooked for very long as every place that one can turn has somehow been affected by the progress from this one particular time period, though that is certain for many artistic movements that have been present throughout time, and seems to put more clout into the common statement of art imitating life and life imitating art. Neo-Romanticism worked itself out through artists’ reevaluation of the earlier works by those like William Blake, and especially in areas like Britain, creating a new underground of writers, artists, and composers.

Neo-Romanticists have been considered the contrast to naturalism as Romanticism was considered the opposite to Neoclassicism in its’ heyday because of the movement seems to stress feeling and internal observation, as opposed to the naturalistic tendency to stress external observation, and utilize historic rural landscapes to react to the modern world of machines and its’ urbanization. Post-romanticism is an outgrowth of passionate art that refers to a postmodern re-enactment of romantic themes and motifs in contemporary art up to today, and combines the best of traditional artwork with a more modern flair.

In regards to the 20th century turns that Romanticism has made, Romantic realism has evolved out of Romanticism to incorporate elements of themes of value while referring to objective reality and the importance of technique, and was popularized though not coined by the writer and philosopher Ayn Rand. This lead to artists incorporating Romanticism and Realism, though they seemed more weighed to the Romanticist side of the equation, and is considered more as a branching of the Romanticism movement today.

Monday, March 03, 2008

Sledging an Aussie art, says Dhoni

INDIA captain MS Dhoni yesterday endorsed his team management's complaints about Australia's provocation, claiming Ricky Ponting's side had turned it into an "art form", while defending his use of illegal wicketkeeping gloves.

Dhoni also said, with a smile, that cricket can "never be a friendly game". A similar phrase saw Andrew Symonds damned by New Zealand High Court judge John Hansen in the Harbhajan Singh hearing.

Dhoni claims there was a problem with the Australians provoking his players in Sydney, as Indian management said in a letter of complaint to the match referee this week. However, he seemed to suggest his players needed to learn how to respond within the rules of the game.

"It's going on for a long time and we have to be careful about that - if you are getting provoked there are ways in which you can reply," Dhoni said yesterday.

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Sunday, March 02, 2008

Precisionism Paintings

Also known as Cubist Realism, and related to the Art Deco movement, Precisionism was developed in the United States after World War I. The term for this movement was coined in the 1920s, and influenced by the Cubist and Futurist movements; the main themes for these paintings were mainly regarding industrialization and modernization of the American landscape. These elements were depicted with the use of precise and sharply defined geometrical shapes, a reverence for the industrial age, but with social commentary not a directly fundamental part.

The degrees of abstraction ran the spectrum as some works had photo realistic qualities, and though the movement had no presence outside of the United States, the artists that made up this particular grouping were a closely knit collective remaining active through to the 1930s. Georgia O’Keefe remained as one of the leading proponents of this style, and stayed so for many years afterwards until the 1960s, her husband was a highly regarded mentor for the group. In a post post-Expressionist phase of life in the art world, Precisionism has affected and influenced the movements of magic realism which utilizes aspects such as juxtaposing of forward movement with a sense of distance, and pop art in which themes from mass culture were used to define art much there forward.

Just after the 1950s began, the movement of pop art was clear in places such as Britain and the United States, and employed elements of advertising and comic books to create a foundation that might have been taken as a reaction to the then popular movement of abstract expressionism. Though the term wasn’t coined until 1958, it was later linked with Dadaism from the beginning of the century, and at one point was called Neo-Dada because of the strong influence from artist Marcel Duchamp. Later affecting artists like Andy Warhol and Jasper Johns, bringing the definition to come to mean one of low-cost mass-produced and gimmicky artwork, and stressing everyday values with common sources like product packaging and celebrity photographs.

By exploring that fraction of everyday imagery, the artists found themselves working with contemporary consumer culture, and this became apparent in parts of Britain, Spain, and Japan around the same point in time. In Britain in particular, where pop art seemed to stem from at that point in 1947, and many works began blurring the boundaries between art and advertising. Whereas in Spain, the movement became interrelated with the “new figurative”, the work arose from the roots of informalism which began to be a critical aspect in this part of the world.

In Japan, pop art has been seen and utilized throughout much of the country’s native artwork through such means as Anime and the “superflat” styles of art, and became the means through which the artists could further critique their own culture through a more satirical lens. When choosing a stimulating piece by these artists, it may be a more invigorating exercise to find some of those other artists to whom these later artists owe much of their inspiration towards their own work, and Precisionism is just as appropriate a place to start for you as anywhere else in the artistic spectrum.

Today, Precisionism can be seen as fundamental influence in commercial and popular art, but cannot be too overlooked as being one of a few different movements to affect our present day stance on art’s utility and functions. With the postmodern present coming to light, maybe we shall once again be drawn back to the past that we have come to take for granted too often, and reveal a new age to define a new century of experience.

Saturday, March 01, 2008

Contest: Portland's political art

Summer Lewis and Leslie Mestman discovered political art as kids.

Lewis grew up in West Virginia with hippie parents, and one of her first memories is coloring a sign for a peace rally. When Mestman organized Earth Day festivities at her California high school, she got a taste of political dirty tricks: Somebody replaced her posters with fliers for cheerleading tryouts.

Now, the two marketing consultants -- who met in Portland as grown-ups -- have taken their passion nationwide with Art of Politics, a poster contest meant to capture the energy of the presidential election. Artists riff off issues they care about, competing for prize money to go toward their favorite causes.

The main goal? Inspire young people to tune in beyond this year's record voter turnouts and round-the-clock media blitz.

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